Voodoobasement - Terrible People

this is me with my Band, practicing

Jurassic Park Main Theme

Dick Valentine - Destroy the Children (album preview)

dyingforbadmusic:

From the 2007 Secrets from Another Place: Creating Twin Peaks special: film music composer Angelo Badalamenti describes how he and David Lynch came up with Laura Palmer’s Theme from the film Twin Peaks. (via Making the ‘Twin Peaks’ music)

this is beautiful

sonicshocks:

Tomahawk decide to tease us with a sneak peek into ‘Oddfellows’ due this autumn..

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smear the queen (nay mixed) by Xiu Xiu from the album: *ALWAYS* (NAY MIXED)

fuckyeahparentheticalgirls:

Xiu Xiu- Smear The Queen (Zac Pennington original vocal version)

mingdoyle:

REAGANOMICS, an unfinalized preview mix from Neil Cicierega/Lemon Demon’s upcoming album! Love where he’s going with this one.

Are you unhappy girl
In this confusing world
Where everything you earn
Is getting left to burn?
If it were up to me
Then living would be free
And I can give you that
And I can give you that

punxtr:

Secret Chiefs 3 “Millones” 2012-04-16 Santiago, Chile.

Tomahawk - Capt. Midnight

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neilcicierega:

A lot of people ask me stuff like “Hey when’s the next Lemon Demon album?” or

“Will there be a next Lemon Demon album?” or

“Is Lemon Demon still a band?” or

“Are you dead?”

Well woah now partner, here’s proof that I’m still making music and stuff, ok! It’s over 5 minutes of cool excerpts from 11 various songs I have been working on.

Most don’t have vocals, are unfinished and unmixed, and are liable to be changed completely, if they even make it to the final album at all. That said, I hope you get a good idea of the brand new strides I am taking in the field of abrasive internet dork music.

Ancient Aliens / Everybody Loves Raymond / Cabinet Man / ??? / As Your Father I Expressly Forbid It / Angry People / ??? / ??? / ??? / ??? / Reaganomics

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Life is Beautiful by Nivi from the album: Deadly Premonition

thatfellowsthings:

Life is Beautiful // Deadly Premonition (Nivi Cover)

oneweekoneband:

Day 5: Final Comments… Looking to the future.

Oh man. My last post.

There’s a whole lot of places I could go with this post, and a whole lot of music I haven’t been able to hit on. I’ll just make a few comments that haven’t quite fit in elsewhere this week, with a big focus on what’s coming up in the future.

Astronautalis just wrapped a tour, which featured a long stay at South by Southwest, some of his first gigs with a live band, and a successful run in Europe backing his label-mate, Bleubird, for whom he produced his most recent album. Many of his gigs still feature him solo with only the instrumental tracks on his laptop to back him up. Astronautalis makes up for this with his dynamism as a performer and his friendly demeanor. He throws his entire body into his performances. Stand close enough, and you’ll see his veins bulging out, as he gyrates wildly as he sings. He pauses for extended periods between songs, telling stories about these songs. You don’t need to interview him to hear some of the stories I heard. He’s more than willing to tell many of them on stage to his audience.

The show I saw pulled largely from his new album, but featured tracks from all four of his releases, a new rap set to be released with P.O.S., and of course his end of show freestyle. You can find these all over the web, and I encourage you to bust out the cameras for these. Every concert, he makes a new piece of art that you can take home with you.

Earlier this week I showed you a rap about September 11. I actually think the clip embedded above is more impressive, as he pulls from a whole bunch of disparate ideas to create a rap with a point to make about society.

Take a look at Astronautalis’s look here and go back to the picture we started with earlier this week. Whether it’s because he’s grown up, he has more money, or he thinks this look will appeal to a larger audience, he has definitely changed. No more hoodies and t-shirts. He’s cleaned up his hair and gotten some nice shirts and tight pants. It’s a welcome change that fits nicely with his new music, though it does suggest his music is a little less raw and a little more prepared for a larger audience. Maybe not the worst thing, but it shows that the artist has changed.

So I encourage you to check out his Facebook page and his website, and keep up on when he’s coming to your town. It’s a unique show and one you won’t soon forget. And you’ll be surprised about how excited you’ll be to talk to him when the show is over.

So what’s next?

ASTRONAUTALIS: This is the first record I finished that I didn’t have a creative hangover after… I was like man, Let’s work on another record right now… as soon as this tour is done, I’m working on a ton of different projects. I’ve focused on a project with P.O.S, a project with Katee Morley. I was the producer for a band called Gangs. And I’ve also got some more rap things for myself, mix tapes, top secret freestyle projects. I’m really into rapping right now, it doesn’t always work like that. I might be doing more rapping in the next 8 or 9 months.

And what else? OH YEAH JUSTIN VERNON! I won’t speculate too much on this. Astronautalis didn’t talk about this in our interview, so who knows how fully developed this project was in his mind. Still, it seems probable that we’ll be going back to the more indie-stylings of previous Astronautalis albums. I’m really hoping, though, that this project creates a third way for hip-hop, an opening for more surreal music to break into mainstream radio.  So long as Andy Bothwell remains the guy who will jump off stage and still sell his own t-shirts and meet his fans after the show. We’ll see how it goes.

As for me, thanks for reading and keeping the signal strong. I’ll be back eventually with something more regular, as soon as I figure out this teaching/life balance. In the meantime, let’s go home again with an encore presentation of Christmas in July. The sound is a little weak, but here is Astronautalis and band in fine form in Chicago last year.

You can’t stop the signal y’all. Peace out.

— Mr. Universe

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Blacks by Xiu Xiu from the album: A Promise

ghostoutfit:

I’ve been getting into Xiu Xiu lately; to be blunt, it can be a pretty jarring experience. When Jamie Stewart is singing about sexual abuse or committing suicide or “luv”ing abortion or whatever, I experience a feeling almost like guilt as a listener — the overwhelming sensation that I’m really white and privileged and voyeuristically watching something intimate that I don’t relate to.

It’s strange and powerful for me to experience music as more than just an aesthetic game. As a listener, I’ve seldom personally identified with my music, except maybe a brief teenage fixation on Arab Strap which in retrospect seems phony and aspirational. Now I spend my time listening to a lot of formalist music and reading, like, Nabokov, where the narrative is a big play of symbols that’s intended to work more like a puzzle than as expressionism. It’s polar to the confessional Xiu Xiu model — hence my uneasy eavesdropping feeling.

Even if it can feel intrusive, I’m interested in what it’s like to relate to art on the intimate level where catharses come from abstract properties and a deep sense of personal identification. This approach is itself troublesome — is it problematic to experience this music as entertainment, when Stewart says is all about things that really happened to real people he knows? Either way, I’ll continue being a flâneur in this new landscape, trying to appreciate its power even while I’m not a part of it.

Faith No More - Pristina

the fucking BEST Live-Version of this amazing Song